Twitter bans Alex Jones

Yesterday, Twitter finally banned Alex Jones and Info Wars from its platform:

In a Twitter thread, Buzzfeed reporter Charlie Warzel explains why this banning took so long:

Twitter likely sees this decision as being consistent with its rules (despite the fact that many have complained about Jones’ behavior on the platform for years). In August, when deplatforming Jones gained momentum, Twitter will argue it did not want to appear reactive by banning. Nor, it appears, did they want to ban him retroactively for old violations (which is why when CNN and others provided old examples of violating tweets, they issued Jones a warning/made him delete the tweets). Of course there’s a *huge* disconnect between this vision (which Jack sees as transparent and consistent enforcement) and what other people felt (that Jones was constantly acting in bad faith and that he would continue to harass, etc). […] Twitter sees this as part of bigger way to gain user trust. Reality is that is likely a naive view. People will be mad Jack et al didn’t do this faster. Folks on far right will see this as yet MORE censorship. If this was all a way to gain trust…not sure you can say it worked.

I’m relieved that Twitter has made this decision and saddened that it took this long. That said, I’m back on Twitter. A few people have asked me if my newsletter will continue, given that it was created in the wake of me leaving Twitter. The answer short answer is yes. Expect regular updates via email/blog post for as long as I can keep doing them. (If you’re new here, welcome! Subscribe to my emails here.)

The long answer is that being away from Twitter has really made me realize the effects that Twitter had on my life, both positive and negative. There were many things I missed about being on the platform: the film community, the hilarious memes and turns of phrase by the witty people I follow, the feeling that I was constantly up-to-date with the news, the ability to promote my work to a large audience and get it seen by thousands.

But I also realized all the terrible things about Twitter. I spent so much of my days refreshing it constantly for no reason in particular. I saw how the site is designed to reward only extreme opinions. Every day was just a constant stream of people dunking on each other and getting hundreds of thousands of retweets/likes in return. (Just look at Twitter Moments during any given day to see how the site facilitates and encourages this)

Most importantly, I was dismayed at how the site completely eliminates nuance. There are heroes and villains. If you participate, you are either the person being annihilated, or you are the person behind the gun, joining into the dogpile.

I welcomed the opportunity to write these newsletters/posts. It gave me the chance to step back and try putting together a complete argument. It forced me to slow down and think more deliberately about what I put out into the world. It prevented me from instantly sharing every passing thought in my head.

I’m grateful that you’ve taken the chance to be on this list and let me communicate with you directly. I think it’s made me a better thinker and honestly, a better person. So, thank you.


  • The most extraordinary story this week was the publication of an anonymous op-ed in the New York Times seemingly admitting that we are witnessing an administrative coup in the White House.
    • I found the follow-up interview with the section’s editor to be a fascinating tight-rope walk. I was also stunned that he didn’t seem to understand how big of a deal this piece would be, and the intensity with which people (including reporters at his own paper) would try to uncover the author’s secret identity.
    • David Frum at The Atlantic captures my thoughts on this whole affair: “If the president’s closest advisers believe that he is morally and intellectually unfit for his high office, they have a duty to do their utmost to remove him from it, by the lawful means at hand.”
    • Pod Save America also has a good perspective on the op-ed: it feels extremely self-serving and accomplishes nothing.
  • I’ll be at XOXOFest in Portland this weekend. If you’re around, hit me up via Twitter/email/whatever and say hi!

That time I bought out a movie theater to show ‘Crazy Rich Asians’

It all began with a cover story from The Hollywood Reporter entitled “The Stakes Are High for ‘Crazy Rich Asians’ — And That’s the Point. The article chronicles how filmmaker Jon Chu and writer Kevin Kwan had to make a tough decision about how/where to create a film version of Crazy Rich Asians:

Behind one door: Warner Bros., which had outbid other traditional studios with a distribution offer for Crazy Rich Asians a week earlier. Behind the other: Netflix, the great disrupter, which had come in hot the following Monday, dangling complete artistic freedom, a greenlighted trilogy and huge, seven-figure-minimum paydays for each stakeholder, upfront. Now Warners had come back with not so much a counteroffer as an ultimatum, giving the filmmakers just 15 minutes to pick an option.[…]

Kwan and Chu had already tried to rationalize the cash grab: “Maybe we donate a percentage of our extra income to great causes,” Chu recalls the two having discussed the night before. “But where does that money go? Right back to trying to get to this position of getting us [Asians] on the big screen.”

No wonder Kwan, 44, was nervous. “I could sense every lawyer on the call shaking their heads: ‘Ugh, these stupid idealists.’ Here, we have a chance for this gigantic payday instantaneously,” he says. “But Jon and I both felt this sense of purpose. We needed this to be an old-fashioned cinematic experience, not for fans to sit in front of a TV and just press a button.” Adds Chu: “We were gifted this position to make a decision no one else can make, which is turning down the big payday for rolling the dice [on the box office] — but being invited to the big party, which is people paying money to go see us.”

Asian Americans have been starved for big screen representation for decades. Not since The Joy Luck Club was released 25 years ago have we seen a film by a Hollywood studio set in modern times, starring an all Asian and Asian-American cast. Crazy Rich Asians would be that film for us, and Kwan and Chu both felt it was worth gambling millions of dollars on giving it a splashy, theatrical release in an industry where those types of things still have cultural cachet.

People often tell you to vote with your dollars, but when you’re an Asian American, you only get a few chances per century to financially express to Hollywood the types of stories you want to see. So when I heard about this story, I asked myself: What can I do to help? How can I show Hollywood that diversity on screen and behind the camera can mean big business?

I’d heard that there was a movement (#GoldOpen) to buy out theaters to show the film. I’d never done anything like this before, but after seeing the movie and being deeply moved by it, my wife and I both agreed that this being part of the #GoldOpen movement was a tangible (but not completely insane) way that we could show that we wanted people to Crazy Rich Asians seriously.

So I bought out a small theater in downtown Seattle to show the film this Saturday.

I talked about my rationale for doing so on this week’s episode of the Slashfilmcast, but I didn’t really expect it to make waves. Next thing I knew I was being featured in Seattle Times story on the subject, then doing interviews with local news stations King5 and KIRO (click the links to watch).

I’ll have a lot more to say about the film itself next week, but for now I just wanted to express my gratitude for the kindness and conscientiousness of all these local journalists who had me on to talk about the movement, not to mention all of my friends and acquaintances who have encouraged me on this little adventure.

It matters which stories society thinks are worth telling. It matters to see yourself and your lived experience represented on the big screen. Representation matters. I hope we can tell this to the world this weekend.

Quitting Twitter

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[I’m quitting Twitter but I’m launching a newsletter in its place. Subscribe above! I’ll plan to cross-post my emails to this blog when it makes sense, which it does for the one below]

Why we’re here

Twitter’s problems with harassment go way back, but in the past few weeks, it’s made some decisions that have forced me to reconsider my relationship with the platform. First, this cryptic message from Seth Rogen about Twitter’s CEO, Jack Dorsey:

While outsiders may perceive Twitter’s verification system as impartial, it’s not. Twitter only verifies people who have reached a specific notoriety level or who hold specific jobs (e.g. journalist, actor, etc.). Verified users get features that unverified users don’t. While Twitter claims verification isn’t an endorsement, in the past, it has removed verification as a means of punishing bad actors.

The fact that Dorsey did not seem to care about verifying white supremacists, even when one of the most popular users of his platform was chiding him about it, was a red flag to me.

Then, the Info Wars wars.

If you don’t know, Info Wars is a despicable media organization whose main claim to fame these days is that they propagated a conspiracy theory about how the Sandy Hook massacre was staged. This has brought untold misery upon the already-suffering families of this senseless tragedy.

Last Monday, every major tech platform took steps to remove Info Wars content. Every platform, that is, except Twitter. In a series of tweets, Dorsey defended his decisionmaking:

The next day, Dorsey appeared on Hannity to further explain why Alex Jones hadn’t been banned. Dorsey’s justifications were soon revealed to be complete nonsense and hypocrisy.

I don’t know why this was the straw that broke the camel’s back for me, but maybe it solidified the notion for me that Dorsey just doesn’t get it. He doesn’t get the extremely basic notion that banning Jones would be far more effective than relying on journalists to rebut his remarks. He doesn’t get that it’s a reasonable position to want your platform to be free of toxicity, and to take steps to make that happen. He doesn’t get that sometimes you need to make a moral choice.

To me, Twitter’s inability to ban Alex Jones was a litmus test. Aja Romano puts it really well in her article at Vox discussing it:

Jones represents what is perhaps the clearest opportunity to draw a moral line that Twitter will ever have. Forget the Nazis for a second; Alex Jones is a man who has seen his followers harass the parents of dead 6-year-olds and continued to egg them on, using the completely fabricated claim that these parents’ grief is just an act. There is nothing redeemable here; there’s no useful idea, no political concept worth debating — there’s only a lie told purely in order to spread harm, confusion, disorder, and pain. Jones is sound and fury, signifying nothing. Twitter’s choice to defend his place on its site, however, signifies everything about what Twitter is choosing to be.

I couldn’t get these words out of my head after I read them: “There is nothing redeemable here; there’s no useful idea, no political concept worth debating.” If Twitter can’t draw the line at Alex Jones, it has no line.

Why quit?

When writer Lindy West quit Twitter, she wrote a piece for The Guardian explaining why. The whole thing is worth reading, but two points stuck out to me. The first is that by using Twitter, we are essentially helping it to generate value and revenue:

Twitter, for the past five years, has been a machine where I put in unpaid work and tension headaches come out. I write jokes there for free. I post political commentary for free. I answer questions for free. I teach feminism 101 for free. Off Twitter, these are all things by which I make my living – in fact, they comprise the totality of my income. But on Twitter, I do them pro bono and, in return, I am micromanaged in real time by strangers; neo-Nazis mine my personal life for vulnerabilities to exploit; and men enjoy unfettered, direct access to my brain so they can inform me, for the thousandth time, that they would gladly rape me if I weren’t so fat.

The second is that we wouldn’t be willing to accept this behavior from any other organization. Why should we do so with Twitter?

I’m pretty sure “ushered in kleptocracy” would be a dealbreaker for any other company that wanted my business. If my gynecologist regularly hosted neo-Nazi rallies in the exam room, I would find someone else to swab my cervix. If I found out my favourite coffee shop was even remotely complicit in the third world war, I would – bare minimum – switch coffee shops; I might give up coffee altogether.

Twitter has added so much to my life. It’s allowed me to have a career. It’s introduced me to tons of amazing people, many of whom have become my collaborators. I used to love the platform and enjoy using it. But until its leaders demonstrate the willingness to make incredibly basic moral choices like banning Alex Jones, you won’t find my work on there.

I realize it’s a privilege to not “need” to use Twitter, so I don’t begrudge anyone whatever decisions they make. Everyone has a different place to draw their own line, and people often do so in different ways with different social platforms. I don’t judge anyone on this matter. Just want to explain my position on it.

And hey, it’s possible Twitter could reverse course tomorrow and I’ll be back on there. But until that happens, you’ll find me on Facebook, on Instagram, on TinyLetter, on YouTube, and here on my blog. Just not on Twitter.

Taking a break

For the past five years, I’ve been recording one second of video every single day, then assembling them to create a video representing that year of my life. I typically put these videos together after each birthday but I was a bit late this year. When I finally got around to it recently (see above), I made a startling realization: I’d been sick five times in 2017. I’ve written before about my recent illnesses but it wasn’t until watching the 1Second video that I realized how bad things had gotten.

I got a physical and a blood test and it doesn’t appear as though I have any serious diseases. But I’ve really run myself ragged this year and I need some time to step back and re-assess my priorities in life.

Thus, I’m going to be taking a two month break from the Slashfilmcast. For the first time in my life in over a decade, I won’t be running any podcasts. Instead, I’ll be focusing on my full-time job, my relationships, and my family.

I’m also planning on unplugging more — in some senses, at least. Starting later this month, I’ve committed to deleting Twitter from my phone for awhile and spending more time writing/blogging and reading. (That said, I will probably still auto-post some blog posts and Periscopes on there.) I realize I’m incredibly blessed and privileged to even have the option of doing any of this, and I am grateful to those in my life who have supported these decisions and made them possible.

I hope to return and join the podcast again for our Last Jedi review in December. At that point, I’ll know a lot more about the shape of things. In the meantime, we have a huge list of awesome Slashfilmcast guest co-hosts that listeners have been suggesting to us via email. I look forward to hearing new, exciting voices on the podcast. I look forward to learning how to relax a little bit more. And I look forward to slowing down the pace of things, for just a little while.

The summer my body almost shut down

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“How do you have enough time to do everything?”

More than any other question, this is the one people have asked me the most over the past decade or so. When I was a younger man in my twenties, I overflowed with energy. I’d jog, bike, work, stay up till late at night using Lynda.com tutorials to teach myself how to use editing programs and take classes to learn the principles of photography. Even recently, I managed to direct The Primary Instinct while holding down a full time job.

Now I’m a bit older, and I find I don’t have quite the same amount of energy for getting things done. Nevertheless, life is for living! This summer, I still felt i could pack my days full of work and movie screenings and podcasts and still come out the other side better for it.

That principle was put to the test when my body almost shut down as a result of a series of illnesses. To be fair, this has been a stressful summer. I started a new, exciting full-time job at a large company. I hosted three podcasts simultaneously, two of which had pretty significant audience (i.e. over 100K listeners). I moved out of my apartment that I’d been living in for five years. I was going at life at a non-stop rate — at least, as non-stop as someone in my line of work can get.

Typically, I get sick once a year or so. I often come down with the flu during winter. It’s usually pretty debilitating, and it takes me out of commission for a few days, but its impact is quite limited and I move on with my life.

I was stunned when in mid-July, during the dead heat of summer, I seemingly contracted the flu again after getting it just a few months prior. After a brutal week of recovery, I felt things were better. I was lucid and felt good enough to go into work, even as I still coughed violently and felt generally miserable. The fact that Seattle was inundated by smog from wildfires significantly aggravated my condition and further slowed my recovery.

Roughly three weeks afterwards in early August, I was at work and waiting for my ride home one afternoon when suddenly I felt dizzy and cold. I barely made it out of the car and into bed. The flu-like symptoms returned with a vengeance, incapacitating me for several more days. It was time to see a doctor.

My primary care provider told me that he thought I contracted a sinus infection while I had the flu, and just never beat it. He prescribed me steroids, antibiotics, decongestants, and a few other things to get me back on my feet. Within two weeks, things were back to normal, even though I did get temporarily worried that the sinus infection had not been extinguished.

I thought that was the end of it, but three weeks after that in September, I went into work one morning and started feeling chills and aches and pains all over. It was like the flu, but much worse — a sort of illness I had rarely experienced in my life. A couple of hours later, I could barely move. My co-workers told me I was pale. I was confined to bed once more.

I went into see the doctor the next day, who told me that I likely had viral gastroenteritis (i.e. a stomach virus). One thing he said that will stick with me: “Sometimes, something like stress is all it takes to breach the immune system. Once that happens, the results can be all-encompassing.” There was no prescription for viral gastroenteritis, other than getting rest, drinking lots of fluids, and taking it easy on the stomach in terms of foods.

It’s now late September and I feel a lot better. I hope I’m out of the woods now, but I’m not going to count on that quite yet.

I realize that everyone has their own health struggles, and that overall, I’ve been pretty lucky for most of my life to not have to struggle with chronic conditions that are debilitating or life-altering. That said, 2017 has been the worst health “year” of my life. I’ve never had so many illnesses in such a short period of time, nor have they felt quite so agonizing.

I’m grateful to everyone who has done things to take care of me and express concern for me during this challenging time. These events have really made me re-asses my life goals and my capacity to accomplish them. If I’m to take any lessons from this summer, they’d be the following:

  • If you keep pushing the limits of your body and mind from a stress perspective, there may come a time when it can no longer take it.
  • Online connections and friendships are wonderful but when you get sick, it’s only the people who you know “in real life” who will be able to help you.
  • Whatever enjoyment you get out of the productive activities in your life, it’s not worth it if there there are significant negative health implications as a result.
  • People aren’t grateful enough for the ability to eat and pass food normally.

Take care of yourselves, folks.

I got sick again

A few weeks ago, I got sick. Updates for the blog stopped, as I tried to balance my other life responsibilities with getting better. I thought I’d kicked it, but this past week it returned with a vengeance. Aches and pains. Chills. Endless, endless coughing that disrupted my sleep every night of the week.

I went to see a doctor (finally) and turns out I likely contracted a sinus infection that simply never went away. I’m on drugs now to help beat this thing but between this ongoing illness and this smoke in Seattle that hasn’t gone away in weeks, it’s been one of my most miserable summers in quite some time.

In any case, I’m hopeful the blog updates shall resume with full force soon.

Happy birthday, Stephen

A big happy birthday to Stephen Tobolowsky today.

At this point, I’ve spent hundreds of hours of my life trying to bring Stephen’s stories into the wider world. The reason is obvious: When you see impact of Stephen’s stories in front of a live audience, you feel like you have to do everything you can to share what you just saw. Sometimes, we are called to just carry the fire, to just keep an idea alive, even if our resources aren’t that vast.

In return, Stephen has been game to work on most of my crazy ideas, like starting a podcast that would span 80+ episodes full of stories about his adventures, or making a movie based off the podcast. Or, more recently, doing a live show in Los Angeles this past weekend on three weeks notice, which we filmed and are planning to put out into the world.

I took this photo of him backstage at the Whitefire Theatre, preparing to go on. He killed it, btw.

Happy birthday, Stephen. Here’s to many more awesome years and stories.

R.I.P. Gen Pop

This month, Gen Pop — my pop culture podcast with Joanna Robinson — will come to an end.

Sometimes I’ll create a podcast that lasts 10 years (and counting). Other times, a show will last 6 months. Unfortunately, Gen Pop was one of the latter.

Out of all my podcasts, Gen Pop was probably the show that I worked the hardest on and stretched myself the most on. And while it didn’t have the largest audience, it had a really impassioned fan base. I’m so grateful to people who donated to the show and who supported us every step of the way.

The folks at Nerdophiles wrote up this lovely retrospective on the podcast, and it’s awesome:

I’m sad to see Gen Pop go, but happy for the other opportunities to catch Joanna and David still podcasting. Gen Pop truly was one of my favorite podcasts that really had its finger on the pulse of pop culture. It delivered a weekly interesting conversation that was topical and well-informed, often times giving me new insight and perspective.

I’m glad that people got something out of the show. It makes me feel like all the work we put into it was not ill-spent.

You can listen to the entire back catalog of Gen Pop here.