The Deterioration of the Institution of Marriage

Sorry the updates have been sparse all week. I’ve spent the past five days at an intense photography seminar with the amazing Jerry Ghionis. I have a TON to say about this that will definitely go into a blog post about the entire experience early next week. But in the meantime, I thought I’d share this interesting opinion piece I came upon by eHarmony founder Neil Clark Warren (via Kevin):

[I]nspiring marriages don’t happen by accident. They require highly informed and carefully reasoned choices. Commitment and hard work are factors too. But after decades of working with a few thousand well-intended and hardworking married people, I’ve become convinced that 75 percent of what culminates in a disappointing marriage — or a great marriage — has far less to do with hard work and far more to do with partner selection based on “broad-based compatibility.” It became clear to me that signs which were predictive of the huge differences between eventually disappointing and ultimately great marriages were obvious during the premarital phase of relationships.

More Shooting with the Fuji X100: Soccer Nights and Matt’s Graduation Party

I had the opportunity to shoot two events this past weekend: Soccer Nights, held by Vineyard’s Cambridge church, and my friend Matt’s graduation party in Western, MA. For Soccer Nights, I took my trusty old 70-200mm f/2.8 on my Canon 7D, but I also packed along my new Fuji X100.

Soccer Nights is such an awesome, inspiring program. Volunteers from all over the city come to give kids a place to have community with each other. I was blown away both by the organizers and all the people who donated time to make this event as fun as it was:

All the wide-angle shots in the above photo set are taken with the Fuji, while everything close-up is done using the Canon 7D.

Quality-wise, I think you’d be hard pressed to tell the difference between the two cameras. And as I am fond of mentioning, the Fuji X100 even gets better low-light performance than the 7D in many instances.

Focusing on the Fuji stinks. The manual focus (via focusing ring) is essentially unusable, but using regular autofocus is also a pain in the neck because you need to manually select “Macro” mode to focus on anything close up. I leave it in manual focus but hit the “AFL” button, which makes the camera automatically determine whether or not to enter macro mode or not. In low-light situations, this can still be problematic.

The dynamic range on the Fuji X100 is incredible. Images like this provide detail in both the sky and on the ground, in a way that my DSLRs simply do not do:

Soccer Nights 86

The Fuji X100 requires a lot more careful composing than other cameras. Since auto focus is slow, you need to choose your shots and your moments carefully. It helps when people generally don’t mind you taking photos of them, as was the case this past weekend at Matt’s graduation party (at which I used the Fuji X100 exclusively):

Overall, I still love this camera and how tack sharp some of these images can be. I just wish the focusing would suck a little bit less, and that the controls were a little bit more responsive.

The Rise of “Douchebag”

Ben Trawick-Smith documents the rise of the term “douchebag” to describe generally despicable people:

So let’s put the pieces together. In 1960, when douching was a much more common practice and perhaps more prominent in the public imagination, douchebag would have had a much more disgusting connotation, and likely would have been avoided for this reason. But in the 21st-Century, at a time when many people barely remember what douching was to begin with, it might be taken as a less offensive insult.

“Enthusiast” Is Pejorative

John Gruber recently called out AllThingsD for failing to provide name attribution to an Apple-focused website. Today, he elaborates on that:

“Enthusiast site” is pejorative. Enthusiast implies that MacStories is produced by zealous hobbyists. Not naming the site at all implied that the site was not worthy of being named. To later attribute it to “macstories.net” rather than “MacStories” implies that it is something less than a fellow peer publication, and not even worth the effort of hitting the shift key to camelcase the M and S. MacStories is the name of the website; macstories.net is MacStories’s domain name. This is subtle, yes, but it is a disparagement nonetheless — the most begrudging form of attribution that could have been added.

As someone who writes for what many would describe as an “enthusiast” website, I can relate.

Monogamy and Anthony Weiner

Mark Oppenheimer, writing in The New York Times about columnist Dan Savage’s sexual ethic and how it relates to the Weiner scandal:

Savage believes monogamy is right for many couples. But he believes that our discourse about it, and about sexuality more generally, is dishonest. Some people need more than one partner, he writes, just as some people need flirting, others need to be whipped, others need lovers of both sexes. We can’t help our urges, and we should not lie to our partners about them. In some marriages, talking honestly about our needs will forestall or obviate affairs; in other marriages, the conversation may lead to an affair, but with permission. In both cases, honesty is the best policy.

The Importance of the Oxford Comma

Linda Holmes, writing on why serial commas are vital:

The balancing act between how much rule-making you like in language and how much you like language to evolve naturally isn’t necessarily the point of the serial comma debate (to me, the reasons to keep it have absolutely nothing to do with tradition and everything to do with actual utility), but that’s where almost any discussion of almost any arcane point invariably winds up. Language is alive, you see, and it changes, and its beauty lies in its ability to be shaped by an entire society that calls upon its collective wisdom and experience to create a means of communication that accomplishes what it needs to AND NO THAT DOESN’T MAKE “IRREGARDLESS” OKAY AND STOP USING “LITERALLY” TO MEAN “FIGURATIVELY” I AM BEGGING YOU.

Fuji Finepix X100: First Impressions

The Fuji Finepix X100 camera is one of the hottest cameras on the market today. It is completely unavailable at any online camera store and there’s are good reasons why: not only does it sport an incredibly attractive retro look and feel, it takes spectacular images with its fixed-focal length lens (23mm). Recent events in Japan have also significantly affected Fuji’s production rate, making this camera extremely difficult to come by.
After repeated and failed attempts to purchase this camera at places like Amazon, Adorama, and B&H, I decided to try calling some local places. I was extremely fortunate to find a unit at the Hunt’s Photo down in Kenmore Square. It was the last one they had, and they had gotten it into the store only a couple of days before. In its entire lifetime, this Hunt’s Photo shop had only sold six Fuji X100s. I was number seven. 
Here’s a video of me unboxing the camera:

You can’t tell from this crappy iPhone video, but the box and packaging is super sleek and classy.
Once you try to get your hands on the controls, it is immediately clear that this is not a camera for beginners. There are no “automatic” modes such as “landscape” or “portrait.” Instead, you’re greeted with these dials:
The X100 is strictly for intermediate or advanced users and even professional photographers have had problems getting a handle on how to use it. This thing is very quirky and there are a couple of nearly deal-breaking annoyances that I’ve had to contend with. First of all, the Fuji X100 takes amazing portraits, but due to the wide angle lens, you need to get really close to your subject. This necessitates switching into macro focusing mode on the camera to get the subject in focus, which involves going into the menu and making a specific selection. This is extremely cumbersome and I missed a lot of great portraits this way (the focusing also performs quite poorly in low light). 
There’s also the annoying fact that I can’t replicate my normal DSLR shooting workflow while on this camera. When I’m shooting with, say, a Canon 50D, I’ll look through the viewfinder, take a photo, then hold the camera away from my face so I can look at the photo on the display. For some reason, the X100 doesn’t allow a similar workflow, as it has very limited “View Modes.” 
There are a bunch of other things here and there that are annoying and just plain weird (example: the ridiculously overpriced lens adapter/filter/hood isn’t even available for purchase, due to constrained supply), but once you can overcome those, the images you can get are pretty incredible. Moreover, the hybrid optical/electronic viewfinder is one of the coolest things I’ve ever seen and looks like it came straight out of a Mission: Impossible film. It needs to be seen to be believed.
A few other things deserve mentioning. The low-light performance on this camera is simply phenomenal. This thing does better in dark situations than my much heavier, much more expensive Canon 7D. I can easily take images at up to ISO 3200 that are usable and that fact absolutely dumbfounding to me. Here’s an image I took at ISO 2000. In my opinion, the grain is barely noticeable!

Linda Farewell Dinner 69

For strobist purposes, the camera can also sync at much higher speeds than 1/250th of a second (the maximum sync speed on most DSLRs these days). This means I can experiment with flash using wider apertures in broad daylight, something I’ve always wanted to do but never had the chance to. I’m really looking forward to the images I’ll be able to create with off-camera flash.
Here is a photo set I took with the X100 at a farewell dinner last night. Judge for yourself whether the camera is worth the price and the quirks: