A great list at /Film that I was pleased to participate in. It also features Dan Trachtenberg, director of 10 Cloverfield Lane.
‘4.1 Miles’ is an incredible short film about the Syrian refugee crisis
I recently had a chance to watch this year’s Oscar-nominated short documentaries. While my favorite film was The White Helmets (currently streaming on Netflix), I also found 4.1 Miles to be very powerful. It tells the story of a Greek coast guard captain whose job has unexpectedly become saving refugees on a regular basis.
In addition to telling the story from an unexpected perspective, there are some stunning cinematography decisions here that make it a gripping short film. I hope 4.1 Miles affects you as much as it did me.
Regency and Fox launched fake news sites to promote ‘A Cure for Wellness’
Craig Silverman and Jane Lytvynenko from Buzzfeed recently discovered that the producers behind A Cure for Wellness launched fake news sites to promote the upcoming psychological thriller:
At the core of the campaign is a network of five fake local news sites that are inserting promotional references to the film into hoaxes. The sites also host ads for the film and for a fake water brand that in at least one case directs people to a website directly linked to the film.
The fake local news sites mostly publish hoaxes about topics unrelated to the film, and in some cases their fake stories — such as one about Donald Trump implementing a temporary ban on vaccinations — have been picked up by real websites and generated significant engagement on Facebook thanks to people being fooled. Their biggest hit so far is a fake story about Lady Gaga planning to include a tribute to Muslims during he Super bowl performance. It generated more than 50,000 shares, reactions, and comments on Facebook.
In principle, I’m not opposed to promotional micro-sites that have some interesting twist to them. And when it comes to imitating the actual look and feel of fake news sites like the Denver Guardian, the people behind this campaign actually did a good job.
The problem with these particular sites is that they also contain fake news that seems to incite the sort of hatred and reactions that “actual” fake news sites aim to get. So for instance, “Psychological Thriller Screening Leaves Salt Lake City Man in Catatonic State” is fine (although it still makes me slightly uncomfortable); Lady Gaga preparing a secret message for Muslims in her Super Bowl half-time show? It was a fake news story from one of these Cure for Wellness sites that went viral on Facebook.
In other words, the campaign would be funny and amusing, except for the fact that fake news can have actual, real-world consequences. For one Houston paper, it has already created problems.
It’s worth noting that after the uproar these sites caused on social media, all the film-related fake news sites are now gone, and redirect to the homepage of the movie’s website.
‘The Lego Batman Movie’ and ‘John Wick: Chapter 2’ movie reviews
This week on the /Filmcast: a double review of The Lego Batman Movie and John Wick: Chapter 2. Plus: how David Chen’s name has become synonymous with “Bad movies” in the Cannata housheold.
Kareem Abdul-Jabbar weighs in on ‘La La Land’
From The Hollywood Reporter:
No, I don’t think the film needs more black people. Writer-director Damien Chazelle should tell the story as he sees fits with whatever ethnic arrangement he desires. However, it is fair to question his color wheel when it involves certain historical elements — such as jazz. As an aficionado with over 5,000 jazz albums and having had my own jazz label, Cranberry Records, I’m happy whenever jazz takes center stage in a story, as it did in Miles Ahead, Bird, Round Midnight and Mo’ Better Blues. Jazz is a uniquely African-American music form born in New Orleans and raised in Harlem during the Harlem Renaissance. Sure, I would have loved to see a film like La La Land years ago starring singer-dancer Gregory Hines, the master of improvisational tap dance whose tapping could sound like a jazz drummer. Having said that, I’m still delighted to see Ryan Gosling play a man (Sebastian) devoted to the artistry of traditional jazz. But I’m also disturbed to see the one major black character, Keith (John Legend), portrayed as the musical sellout who, as Sebastian sees it, has corrupted jazz into a diluted pop pablum.
Related reading:
Blue Cities and Red States
David Graham at The Atlantic has a write-up on the increasing trend of blue cities in red states, and the resulting tension that can often arise:
Even the reddest states contain liberal cities: Half of the U.S. metro areas with the biggest recent population gains are in the South, and they are Democratic. Texas alone is home to four such cities; Clinton carried each of them. Increasingly, the most important political and cultural divisions are not between red and blue states but between red states and the blue cities within.
Nowhere has this tension been more dramatic than in North Carolina. The state made headlines last March when its GOP-dominated general assembly abruptly overturned a Charlotte ordinance banning discrimination against LGBT people (and stating, among other things, that transgender people could use the bathroom of their choice). Legislators didn’t just reverse Charlotte’s ordinance, though; the state law, HB2, also barred every city in the state from passing nondiscrimination regulations, and banned local minimum-wage laws, too.
Why audio rarely goes viral
This piece by Stan Alcorn for Digg is a few years old, but I think about it a lot. I don’t think I ever blogged about it here, so I’m sharing it now.
According to producer Nate DiMeo, “People will watch a bad video more than [they will listen to] good audio.” Why is this? Why does audio almost never go viral? A few possibilities:
“The greatest reason is structural,” says Jesse Thorn, who hosts a public radio show called “Bullseye” and runs a podcast network called Maximum Fun. “Audio usage takes place while you’re doing something else.” You can listen while you drive or do the dishes, an insuperable competitive advantage over text or video, which transforms into a disadvantage when it comes to sharing the listening experience with anyone out of earshot. “When you’re driving a car, you’re not going to share anything,” says Thorn.
The second explanation is that you can’t skim sound. An instant of video is a still, a window into the action that you can drag through time at will. An instant of audio, on the other hand, is nothing. “If I send someone an article, if they see the headline and read a few things, they know what I want them to know,” a sound artist and radio producer told me. “If I send someone audio, they have to, like… listen to it.” It’s a lot to ask of an Internet audience.
The end of the piece has some suggestions for how one might make one’s own audio more viral: Think about the sharing mechanisms, think about how to appeal to an audience beyond your existing one, think more carefully about things like metadata, titles, and presentation.
It’s challenging work but the rewards can be enormous.
Pizza supply chain management is difficult
Imagine working at Pizza Hut and being told you need to learn how to make a heart-shaped pizza for just the span of a few days. It would probably seem like a significant imposition on your skillset without very much reward. Now multiply that feeling by 10,000 and you know how pizza franchise workers all around the country felt this week for Valentine’s Day.
The results speak for themselves. Deadspin has a round-up of heart-shaped pizza disasters from this week. A few of the best ones follow:
@PapaJohns I literally feel disrespected by this “heart shaped” pizza. Thanks for ruining my Valentine’s Day.?? pic.twitter.com/J7wDBElsCO
— Lilly? (@_liiilllllly_) February 15, 2017
@pizzahut man why did I order this. Took over an hour and a half I tipped the driver very well and I get this mess? It’s not even warm.. pic.twitter.com/fqaU16BeqS
— Yung Dro (@Peyypeyy) February 15, 2017
@pizzahut u delivered THIS & I cant u on the phone for the last 45min… ? pic.twitter.com/rk24NEnCMv
— Valery Ortiz (@ValsTweet) February 15, 2017