Through Different Eyes

Odie Henderson deconstructs The Help, amusingly:

As I read the EW article [about the film], I thought to myself “they’re trying pretty damn hard to head off any backlash! This must be off-the-chart offensive! Now I have to go see it!” You know I just love a good movie Negro stereotype. Until I read that article, I was content to leave The Help out of my viewfinder, as it seemed like a run-of-the-mill extension of the White character tells Black story feel-good genre that includes Cry Freedom and Mississippi Burning. In truth, having the story told through a White device is actually more insulting to White people than to us. It’s as if Hollywood is saying “you can’t put yourselves in the shoes of an ethnic character, so here’s Kevin Kline! He’s JUST…LIKE…YOU!!!” At least Hollywood thinks minorities are smart enough to relate to the White characters.

Student Loan Debt Has Grown Beyond Our Control

According to The Atlantic, student loans have grown 511% since 1999. That is a staggering amount (well above inflation, obviously, as well as the growth in number of students), but it’s also striking because it outpaces the growth in household debt by a longshot: 

This chart looks like a mistake, but it’s correct. Student loan debt has grown by 511% over this period. In the first quarter of 1999, just $90 billion in student loans were outstanding. As of the second quarter of 2011, that balance had ballooned to $550 billion.

The chart above is striking for another reason. See that blue line for all other debt but student loans? This wasn’t just any average period in history for household debt. This period included the inflation of a housing bubble so gigantic that it caused the financial sector to collapse and led to the worst recession since the Great Depression. But that other debt growth? It’s dwarfed by student loan growth.

There Is No Tomorrow

Some inspiring words by photography Martin Prihoda (via David Hobby):

What I realized is that putting your visions of success and happiness into the future tense really is a negation of your success and happiness right here and now. We are unhappy with how things are so we fantasize about the future and how happy we’ll be when we have our new car, house, salary, job, relationship.

But its all bullshit. You’re lying to yourself. If you can’t feel your success right here in the present moment, then you never will. It will never ever come.

Testing Botero Background #023

After viewing the Strobist Lighting Seminar DVD Box Set, I was particularly intrigued by what photographer David Hobby was able to achieve using a cheap, simple collapsible muslin background created by Botero. I decided to buy Botero Background #023 (the same one in the DVD, apparently) and try to replicate the effects that Hobby created. So, I did a quick-and-dirty setup in my living room, got my roommate Matt to pose for 10 minutes, cranked up my f-stop to minimize ambient light, and fired away. Here are the photos that resulted.

In general, I’m extremely impressed that I was able to achieve this look in my living room, which, trust me, does not resemble a photo studio in the slightest. Here are a few of my notes:

  • I used two flashes: one flash aimed at Matt at a 45 degree angle to his left and above, fired through a Westcott 43″ umbrella on top of a light stand. The second flash is directly behind Matt, pointing at the wall, and was triggered via infared sensor.
  • The different colors were achieved by putting different colored gels on top of the background flash. It is amazing what a difference a $.50 piece of see-through plastic can create!
  • Unfortunately, the Botero background wrinkles extremely easily, exacerbated by the fact that it is collapsible. These wrinkles are also very, very obvious in photos where the background can clearly be seen. As a result, I had to shoot at high focal lengths (using my 70-200mm) in order to make depth-of-field more shallow to achieve the kind of bokeh that minimized these wrinkles. Unfortunately, I think I overshot it a little bit; there’s some image softness in a few of these photos and I think f4 would probably have been sufficient, given how close I was to Matt
  • On a related note, I bought the 5×7 Botero background for $65. Apparently they sell other, much larger sizes (a 10×12 and a collapsible 8×16). I think the 5×7 is a good combination of portability and big size, but I did find myself struggling on numerous occasions to crop out the edge of the background. In other words, this background is a bit small and will constrain your options, so if you are going to shoot with the 5×7 background, you need to use a 70-200mm lens (or higher).
  • It was surprisingly difficult to lean the background against anything that wasn’t a wall. Anything smaller would create an uneven shape, so just keep that in mind if you’re hoping to lean this thing on a chair or something.

Overall, I’m pleased with the purchase and am glad that with just a $65 item, I have another major asset I can add to my portfolio.

Single People Die Earlier

MSNBC reports on a new study assessing the longevity of single people vs. married people (via Rosa):

Although many studies point to the fact that singles just don’t fare as well in terms of health and longevity compared to the married, this new research shows “just how poorly the singles do,” explains lead author David Roelfs, assistant professor of sociology at the University of Louisville, Ky.

The researchers analyzed the data from some 90 previous studies, which included about 500 million people, and compared the risk of mortality for singles from those studies — defined as those who never married — to that of a married group, excluding those who are divorced or widowed. The researchers found the risk of death was 32 percent higher across a lifetime for single men compared to married men. Single women face a 23 percent higher mortality risk, compared to married women.

Testing the Canon 5D Mark II’s Low Light Capabilities

When the White House puts out a photo of President Obama, it’s frequently taken using a Canon 5D Mark II (Example: this iconic image). It’s the same camera that Jerry Ghionis uses. It’s one of the gold standards of DSLR cameras these days, in terms of image quality.

I recently acquired a Canon 5D Mark II after the unit went on sale at Best Buy. There are many reasons to own one, but the two primary ones for me were the fact that it sports a full-frame sensor (allowing me to take full advantage of my EF lenses), and the fact that it gets amazing low light performance.

Last night, I decided to put the latter to the test. I spent some time with my friend Rachell, during which I shot a few photos at ISOs 2500 and 3200:

Rachell Low Light

On the way home, I shot a local band, Cradle to the Grave, who were performing at the Plough & Stars bar in Central Square. All of these photos were shot using ISO 3200 or ISO 4000:

Cradle to the Grave

My thoughts? The low light performance is spectacular. It is, in fact, so good that I’m pretty irritated I have not been using this camera all along. With my Canon 7D, I top out at ISO 1600 before the images become unusable, noise-wise, for any professional context. Yet with the 5D Mark II, even the ISO 4000 images are theoretically possible to use (realistically I probably wouldn’t go higher than 3200, but it depends on the situation. We don’t always get to choose our optimal ISO levels). And as you hopefully can see above, this makes possible images that I could only dream of prior to this point.

How many images have I missed out on because I did not have this camera before now? I shudder to think on it. But I’m glad this camera and I are finally together.

[Thanks to Alex Billington for hooking me up with the 50mm f/1.4 lens used in all these images. Extremely handy for producing sharp images in very dark situations!]