Newsweek and The Daily Beast: Two Great Tastes That Probably Won’t Go Great Together

David Carr, on the imminent merger between The Daily Beast and Newsweek:

Putting together The Daily Beast and Newsweek makes little financial sense, includes not much in the way of editorial synergies — is it The News Beast or The Daily Week? — and marries two properties that have almost nothing in common other than the fact that they both lose lots of money. Other than that? A great idea. Brilliant, really. And it will be fun to watch…

“When you step back, this is not a marriage made in heaven,” said Mark Edmiston, a former media investment banker who was the president of Newsweek in the 1980s. “You have two very different owners with very different motivations…And if you leave Tina out of it for a moment, what is the model?” he added. “I don’t see how you can take two money-losing businesses and put them together and come up with a single entity that makes money.” 

According to Carr’s statistics, Newsweek is still losing $500,000 per week while The Daily Beast will lose $10 million this year.

Harman (who acquired Newsweek for $1 and $40 million in liabilities) has been looking for someone to lead the magazine for quite awhile, and The Daily Beast’s Tina Brown was originally in the running. But after reading New York magazine’s feature on the first, failed attempt at a merger between these two entities, I find it hard to believe that the most serious leadership issues have already been resolved (Brown will not report to Harman under the new arrangement).

The most baffling element of the merger? Brown will be shuttering Newsweek.com and directing all traffic to The Daily Beast. This will undoubtedly confuse the hell out of a bunch of Newsweek visitors. In addition, she’ll be surrendering a brand/URL that has a lot of goodwill, not to mention a lot of inbound organic traffic (Newsweek gets more than 2x the traffic of The Daily Beast).

Some Newsweek.com employees have already launched a Tumblr to plead for the preservation of their jobs and of the respected news weekly’s website. Their poignant manifesto is worth your time:

In the face of indifference, condescension and even outright hostility from its print counterpart; with little to no resources; with more high-level hires and fires over the past couple of years than anybody could possibly count—and a revolving door of editors—the small but tireless staff at Newsweek.com consistently created editorial work that made waves: via a Website, on video platforms, through multimedia, photo and social media. Whatever happens to Newsweek, we are all proud to have played a part in that.

Mind = Blown

The past week the Xbox Kinect went on sale and while some reviews haven’t been overly kind, it shows a lot of promise. Certainly the fact that this technology is available at the consumer level is impressive and encouraging. But the fact that the Kinect has already been hacked opens it up to some interesting applications:

I recently purchased my own Kinect and I’ve been having lots of fun with it, although I’ll be curious to see if more games come out that take full advantage of it. One thing’s for sure, though: whenever I’m using my Kinect, I feel like I’m living in the future.

Group of Friends Wins $129 Million After Buying Lottery Ticket at Porn Shop

CNN reports that a group of friends got lucky when they purchased a winning lottery ticket worth $129 million at a Detroit porn store. A man named Mike Greer claimed the ticket for a group of friends:

At a press conference in Lansing, Michigan, Greer wouldn’t answer questions as to who purchased the ticket at Uptown Book Store in Highland Park, or why they were at the store in the first place. “Nobody cares,” said Greer.

Good to know that Greer is already making the most of his “fuck you” money in his answers to reporters. Then again, winning $129 million means never having to say “I’m sorry (that I was visiting a porn shop with some work buddies and exchanging cash for goods/services).”

[Side note: I’m really curious about the circumstances behind the purchase of this lottery ticket. Who goes to a porn shop to engage in lottery ticket group-buying? They had to know that it would be one awkward prize to claim.]

Entertainment Tonight Is Not The Ideal Venue To Premiere Movie Footage

Entertainment Tonight has posted a teaser for a teaser of some Green Lantern footage (the full length of which will debut next week):

Over at /Film, the response is not kind. Here’s a typical comment:

The film may be months away but why release images that are not great looking? They obviously think this looks cool enough to put out there for all of us geeks, but it’s like throwing raw meat to wolves. This looks like another boring-ass CGI crapfest. 

On a more extreme note, another commenter chimes in:

This looks horrible. What were they thinking? I really wanted to like this, but the initial suit pics had me worried already. CGI everything, too fake, terrible looking costume, no sense of realism at any point, Ryan Reynolds speaking….Now i get why they put Blake Lively in the movie. It was the only way they could get people to watch it.

There’s just no way to fix this mess in six months. I’ll be watching more trailers in the coming months, but they’re going to need a miracle to get this crap together. This might be one of those comic book properties that may be pretty much unfilmable due to the limited nature of current technology.

Scott Mendelson makes a good observation: Why do movie studios keep premiering footage at Entertainment Tonight? I understand they want the audience that ET provides, but ET often chops it to pieces, overlays a grating voiceover, and focuses on the aspects of the film that are more audience-friendly for the US Weekly/People magazine crowd. Release a trailer to Apple. Hell, choose a site like /Film to premiere the footage unvarnished. But letting ET’s editors get to it first is tantamount to poisoning the well for a film that could really use some fanboy support (check out my conversation with Devin for an elaboration on this topic).

Study: 25% of Men, 50% of Women Have Faked an Orgasm

A new study by the University of Kansas asked 281 college men and women about their sexual histories. They found that about a quarter of young men and a half of the women they surveyed had acted out an orgasm. The biggest reason? Wanting to end sex without hurting the other person’s feelings.

At least this younger generation is sexually magnanimous. But reflecting on this study, Tracy Clark-Flory points out how absurd our culture has become:

It’s funny to think that sometimes it ends up that the girl fakes it just so the guy can fake it. What a perfect representation of performative sex. Both partners are so strictly adhering to an expected script that they become outside observers to their own sexual encounter. Or, sometimes, it’s less an issue of performance and more an attempt to avoid one’s own, or one’s partner’s, embarrassment. Let’s remember, the survey focused on college-age dudes and dames, as most surveys do. If faking it to some degree isn’t a defining trait of youthful sex lives, then I don’t know what is.

The Great Train Movies

As Tony Scott’s Unstoppable hits theaters this week, film writers around the internet are reminiscing about train movies. Time magazine has a nice list of their Top 10 Train Movies, but film critic Matt Zoller Seitz has a slideshow over at Salon that I think really gets at why rail travel can be such a fascinating film subject. From his description of Malick’s Days of Heaven:

Director Terrence Malick is a master at assembling music, dialogue, sound effects and images through editing so that the specifics of time and place that normally define movies are subsumed into a perpetual present, an endless moment that the viewer doesn’t so much watch as ride, the way a kite rides a breeze. The train sequence near the beginning of “Days of Heaven,” 103 seconds of bliss scored to banjo wizard Leo Kottke’s “The Train and the Gate,” is a great example. It describes a finite journey from one U.S. state to another, but it’s not about what’s happening or where it’s happening; it’s about the thoughts and feelings that tumble through the narrator’s head as she remembers it all.

Skyline Is Pretty Bad

The Strause’ Brothers new film Skyline is out in theaters today, but I was already pretty trepidacious, seeing as how Rogue Pictures wasn’t screening it for critics. I was hoping the film would be so-bad-it’s-good, but unfortunately, it fell into the so-bad-it’s-mind-numbingly-boring category. While I didn’t enjoy it very much, I was impressed by about 10 minutes worth of the visual effects in the 90-minute film. And if the budget really is around $1 million, then it really is an achievement on the scale of District 9, just without the thrills, inventiveness, script, or great acting in that film. 

I think Devin Faraci’s review is pretty spot on:

Skyline is impressive if unimaginative, and there are lots and lots of bright daylight scenes of giant monsters and fighter planes and alien space craft and weird alien squid beasts. They look great, and I would totally hire Hydraulx to do my FX work if I had FX worked that needed doing.

But the rest of it. Oh, the rest of it! It’s terrible. Actually, many of the FX scenes are terrible as well – the FX looks great, but everything happening on screen around the FX is bone headed or moronic or poorly shot. And that’s pretty much the film in a nutshell: bone headed, moronic and poorly shot. And terribly acted as well, just for good measure. There’s not a single believable moment in Skyline, and I don’t mean that I couldn’t believe in an alien invasion. I mean that not one human being in the film comes across like a human being of any sort, that none of the dialog rings true or is delivered well and that some of the actors can’t even exit an airplane convincingly.

Test Prep Company Finds More Ways To Screw You Over

Tamar Lewin has a thorough exposé on Kaplan’s deplorable business practices. Kaplan has discovered that test prep isn’t where the money is at these days; instead, it’s acquired small colleges and has started using them to screw people out of money:

Carlos Urquilla-Diaz, a former Kaplan instructor and administrator who is one of the Miami whistle-blowers, recalled a PowerPoint presentation showing African-American women who were raising two children by themselves as the company’s primary target. Such women, Mr. Urquilla-Diaz said, were considered most likely to drop out before completing the program, leaving Kaplan with the aid money and no need to provide more services.“The idea was, we’ll take anybody, and I mean anybody,” he said.