Really enjoyed this film, despite how depressing and bleak it was.
Inside Llewyn Davis Video Review
Really enjoyed this film, despite how depressing and bleak it was.
There are 168 posts filed in videos (this is page 17 of 21).
One year ago, I had pretty much no idea how to shoot or edit a video. Today, after hundreds of hours of reading cinematography blogs, watching Lynda online video tutorials, and shooting dozens of practice videos, I’m having my first video project debuted at slashfilm.com (plus getting featured on Slate and The Dissolve). It’s been a long, arduous, rewarding journey, but it proves my theory that if you are willing to give up all of your free time and a significant chunk of your sanity, you can learn how to do something cool.
I recently decided to try my hand at editing a video essay. For my topic, I chose one of my favorite films of all time, Darren Aronofsky’s The Fountain, which has been the topic of many conflicting interpretations in the past. The primary objective of the essay was just to share my thoughts on the film’s plot and to provide some other assorted thoughts on the symbolism in the film’s imagery.
I learned a lot about what it takes to edit and share a video during the process (more of that will probably come in another post). The whole thing took me probably 8 hours from conception to the point when I exported the video. A few thoughts and reflections on the process:
Knowing the source material backwards and forwards is essential – To prepare for the essay, I watched the film several times and took copious notes and timestamps to be able to access things easily.
Music is hard – I threw a few tracks from Mansell’s superlative score onto the video, but I really don’t think I did them justice. In future videos I hope to improve the way I mix the sound on these things so that it makes more sense with the structure of the essay.
Keep the clips you use from the film as short and tight as possible – Most video essays I’ve seen will cut to literally a single line from a character and then cut back to something else. In my opinion, this can be too short – sometimes, I want to luxuriate in what is going on in the original film. But I may have overshot it with this one. The scenes I use from the film may have gone on for a touch too long in a couple of instances.
I was gratified that Aronofsky saw fit to tweet the essay. I hope he found it worthy of his attention. Check out the /Film link for a bunch more discussion on this underappreciated film.
some #thefountain musings:http://t.co/qdHc6o6crq
— darren aronofsky (@DarrenAronofsky) December 7, 2013
I really wasn’t a fan of the new one. While I found it fascinating to watch, I think Lee made some decisions that robbed the original of its charms, without adding anything new to the table. Threw together this video blog to show my appreciation for the original film.
I just got back from a weekend trip to Portland and I have some thoughts on that city that I’m looking forward to discussing with you guys. In the meantime, I thought I’d share this timelapse I recorded of the drive down there. This video was assembled by recording one image every two seconds. Most of the drive took place on I-5. The exposure got a bit wonky at the end, but I’m still pretty happy with the final result.
Recently, I’ve been experimenting with trailer-length video reviews for slashfilm.com. The objective is to deliver something that’s visually and aurally stimulating, but not so much work that I can’t sustain it on a weekly basis (with my full-time job and other podcast obligations). So far, the response to these short reviews has been really positive so I plan to keep them up, but I do hope one day that it will lead me to create videos that have more creative editing. Perhaps when I have more time…