A review of Mixtiles – a cool way to mount and hang photos on your wall

Update (12/16/18): This post has really blown up! If you’re here to check out this review, welcome to my blog! The Mixtiles product has changed a few times since my original review was filmed/written:

  • Mixtiles are now a flat rate of $10 each. While that is still a bit hefty per tile (given that the tiles are essentially made of cheap foam), I think this pricing is much more convenient and palatable. It’s a much better deal for 1-2 tiles and makes it easy to order that many without needing to do math.
  • Mixtiles now comes in a variety of styles: Bold, Ever, Classic, Clean, and Edge. The latter is the only one that was available when I made my review. I’ve obtained some Bold tiles to try out and thought the frame looked pretty good, but there are two important differences:
    • The Bold (and I assume the Ever, Classic, and Clean ones) are much thinner than the previous version of Mixtiles. This makes them more manageable to store and move around, but also makes them feel even cheaper than before.
    • The new tiles now only have a single adhesive strip on one side (vs. four sticky pads). This means if that single pad wears out, you are out of luck and will need to contact Mixtiles to get more sticky stuff. I’m not a fan of the new single stripe pad, primarily because it makes sticking it onto a wall surface feel inherently unbalanced — after all, the pad is sticking out of only one side of the frame. That said, I haven’t had any problems with the single pads wearing out on any of my new tiles.

My original review follows below. If you’re a fan of my video/writing, feel free to subscribe to get emails from me.


I had a fun time trying out Mixtiles recently, which is an app that lets you print out photos that are ready to hang. I found Mixtiles via an Instagram ad and was intrigued at the idea of being able to easily print, mount and move around photos.

Mixtiles cost $49 for the first three, and $9 for every Mixtile thereafter. Shipping is free (although it’s basically just built into the cost of the first three Mixtiles).

Overall, I had a good experience with Mixtiles and think it’s great in certain circumstances. Find my full video review above and my pros and cons of the service below.

Pros:

  • Responsive customer service — You get the sense that this is a mom and pop operation, but not necessarily in a bad way. Customer service through the app was extremely fast, and responsive. These people really want you to have a great experience.
  • Adhesive quality is good — Mixtiles stick really well onto walls, and aren’t super difficult to remove.
  • Photography quality is decent — Photos appear to have a matte finish. Fidelity and sharpness is solid.
  • Weight — Mixtiles are super light and easy to carry around and transport

Cons: 

  • Foam core does not feel like a premium product — From far away, Mixtiles look great. But when you get up close and touch them, they look exactly look what they are: Photo prints mounted onto foam core. They feel flimsy and don’t seem built to last.
  • The first few are expensive — The first three Mixtiles are $49 (including shipping). That is a high price to pay for this quality level. But the more that you buy, the more it makes sense to do so. This service is particularly useful for events, where you might need to gather large set of mounted photos in short order.

The Art of the Video Essay

I’ve been diving into the work of Patrick Willems on YouTube recently and I enjoyed his piece on the art of the video essay.

Willems argues that the format is fairly stale at this point. Many video essay-ists are actually filmmakers in reality, but their essays don’t reflect the full breadth of their creative abilities. Why not?

I appreciate that Willems is trying to push the medium forward. His subsequent video essay on Star Wars begins to show what may be possible with the medium from a narrative standpoint.

Taking a break

For the past five years, I’ve been recording one second of video every single day, then assembling them to create a video representing that year of my life. I typically put these videos together after each birthday but I was a bit late this year. When I finally got around to it recently (see above), I made a startling realization: I’d been sick five times in 2017. I’ve written before about my recent illnesses but it wasn’t until watching the 1Second video that I realized how bad things had gotten.

I got a physical and a blood test and it doesn’t appear as though I have any serious diseases. But I’ve really run myself ragged this year and I need some time to step back and re-assess my priorities in life.

Thus, I’m going to be taking a two month break from the Slashfilmcast. For the first time in my life in over a decade, I won’t be running any podcasts. Instead, I’ll be focusing on my full-time job, my relationships, and my family.

I’m also planning on unplugging more — in some senses, at least. Starting later this month, I’ve committed to deleting Twitter from my phone for awhile and spending more time writing/blogging and reading. (That said, I will probably still auto-post some blog posts and Periscopes on there.) I realize I’m incredibly blessed and privileged to even have the option of doing any of this, and I am grateful to those in my life who have supported these decisions and made them possible.

I hope to return and join the podcast again for our Last Jedi review in December. At that point, I’ll know a lot more about the shape of things. In the meantime, we have a huge list of awesome Slashfilmcast guest co-hosts that listeners have been suggesting to us via email. I look forward to hearing new, exciting voices on the podcast. I look forward to learning how to relax a little bit more. And I look forward to slowing down the pace of things, for just a little while.

Watch SNL’s ‘Papyrus’ sketch about ‘Avatar’

Last night, SNL aired a sketch about a deranged individual who was obsessed with the papyrus font in James Cameron’s Avatar. It’s a fairly amusing short film that derives its strength from being ultra-niche in its focus.

For months, a debate has raged on the /Filmcast about whether or not Avatar is still culturally relevant. The film is the most successful movie of all time yet left seemingly zero cultural footprint. One of the vaguely defined barometers of cultural relevance? Being featured prominently in an SNL sketch.

Looks like Avatar defenders just got another arrow in their quivers…

Halo Top’s brilliant new commercial

Halo Top has released a new ad online and it’s really something. Directed by Mike Diva and released on his YouTube channel, it’s creepy and unsettling and generally provokes a bunch of emotions I wouldn’t think you’d want associated with an awesome ice cream brand.

In an interview with AdWeek, Diva explains how the ad came together:

I guess the CEO has been a fan of my stuff for a while. He basically just said to me, “We already have enough commercials that explain why Halo Top is awesome. We just want something in your style that just grabs people’s attention.” I came back and pitched my idea in person. It’s one of those things where I felt like, if I just sent it to him over email, I would sound like a crazy person. I had to get in front of this dude and illustrate why it’s going to be funny. On paper, it just reads like it’s super dark, you know? I downloaded a text-to-speech app and kind of acted it out, and played the robot parts on my phone, so he would understand why it’s funny for the robot to say “Eat the ice cream” a bunch of times.

There’s also this later in the interview:

A lot of people are drawing comparisons to Kubrick and saying it’s a take on 2001: A Space Odyssey. That it’s a direct homage. I actually didn’t want that at all. I had reservations about shooting in the 14th Factory Space Odyssey set. I didn’t want people to associate it with Space Odyssey just because there’s a robot in it. We yanked out all the furniture and redressed the entire room to make it look as different as possible. But of course, we still ended up getting a lot of those comparisons.

To quote Gob Bluth, “COME ON.”

Inside the world’s largest collection of ‘Jerry Maguire’ VHS tapes

I missed this short film from Vice when it was first released in February, but am glad I finally found it. It’s a look inside the effort by Everything Is Terrible to not only amass the largest collection of Jerry Maguire VHS tapes, but also their desire to build a permanent pyramid in the Nevada dessert that will serve as a tribute to these “Jerry’s.”

On the one hand, there are probably better things for one to devote one’s time to than anything Maguire VHS-tape-related. On the other hand, this project gives me so much joy with its randomness that I kind of want these guys to succeed.