[P]hotographers accustomed to DSLR quality won’t be trading their higher-end gear for a smartphone camera of any kind, iPhone 4S or not.
In the end, the iPhone 4S offers convenience—light weight, fits in pocket, simple controls—along with competitive, if not excellent, image quality. Unless you need or want full manual control or greater versatility in lens options, the iPhone 4S certainly makes a great photographic tool.
The above video of the UC Davis protests has been making its way around the internet. It is incredibly troubling in its depiction of police brutality against non-violent college-aged protesters. Brian Stelter at the NYTimes has a solid overall summary of the impact of this video in the media, and the current situation at UC Davis. James Fallows’ words at The Atlantic ring true to me:
Let’s stipulate that there are legitimate questions of how to balance the rights of peaceful protest against other people’s rights to go about their normal lives, and the rights of institutions to have some control over their property and public spaces. Without knowing the whole background, I’ll even assume for purposes of argument that the UC Davis authorities had legitimate reason to clear protestors from an area of campus — and that if protestors wanted to stage a civil-disobedience resistance to that effort, they should have been prepared for the consequence of civil disobedience, which is arrest.
I can’t see any legitimate basis for police action like what is shown here.
Last week, Stephen Tobolowsky and I took to the stage of the Brattle Theatre for our first-ever staging of The Tobolowsky Files Live. By most measures, the shows were a success: hundreds of people showed up, most of whom appeared to enjoy themselves (based on the comments I got afterwards and the general “mood” of the room. See also this lovely review from Pajiba). More importantly, Stephen and I got to play around with how we are going to do this thing in Seattle in January, when our audience is estimated to be around 700 people. Subsequent shows are currently being discussed for New York, Los Angeles, Chicago, and maybe even Boston again in a few months.
The Brattle Theatre was an excellent host for us. Not only did they take a chance on what, at this point, is somewhat of an “unproven property,” they also made a whole weekend out of it, honoring Stephen by playing many of his movies in the theater, and by making him the guest of honor at the annual Brattle Gala. Here’s a video of them presenting a gift to Stephen at that gala:
As for my own personal experience, it was, by any measure, a thrill. Many people from the audience had never heard Stephen live, so it was great to be spreading the “Tobolowsky gospel.” Moreover, I met tons of amazing fans, both of the /Filmcast and of the Tobolowsky Files. One couple had driven four hours just to see the show that night. It was humbling and inspiring to see. And it was heartening to know that I had helped to create something that brought people together in a way that I hope was powerful.
Beyond that, there is something magical about the art of live storytelling — the idea that by uttering a few words, a person can change the entire mood of a room, can make you re-think your life, can move you and make you angry, sad, or joyful. Stephen Tobolowsky has this gift. To see him deploy it in an intimate theater with people whose hearts were open is an experience I shall never forget.
A few other snippets of media:
Here’s a video I recorded of Stephen and I chatting before the very first show. I was pretty nervous. Stephen may have been too, but he remained a consummate professional:
I was able to place my iPhone in my front breast pocket before I walked out on stage the second night. The video is almost incomprehensible, as the camera is at an extremely weird angle, but I still think this gives you a sense of what the mood was like for the packed audience that night.
Lastly, here’s a photograph I took of Stephen and Ann on their last day. Her support and encouragement helped to make last weekend possible.
Keith Olbermann, on the troubling site of a billionaire mayor invoking the police to forcibly evict the Occupy Wall Street protestors from Zucotti Park:
While it is hard to top an endorsement from God, what if God has, as seems to be the case this time, several candidates in the same race? Maybe they were mistaken. Or perhaps God was up to something else.
Perhaps God wanted people to see the shameless way that pols invoke his name. Perhaps God wanted treat us to some spectacular displays of political sleazebaggery in the way pols will use and abuse God to achieve vainglorious ends.
If you look for root causes of the Flash failure, I think they go back many years to a fundamental misreading of the mobile market, and to short-term revenue goals that were more important than long-term strategy at both Macromedia and Adobe. In other words, Flash didn’t just die. It was managed into oblivion.
I would love to tell you that, coming upon a grownup raping a child, in the act, I would grab the nearest heavy object and brandish it and yell at the grownup to get away, and stuff the child into some clothing and drive him to the nearest police precinct. I would love to tell you that; we would all love to tell ourselves that. Everyone’s cape flutters attractively in the breeze of the subjunctive.
What probably would happen instead is that I would back out of the room in horror. Flee, in fact, on tiptoe, to somewhere small and dark, to process the upside-down wrong thing I’d seen.
Fast food involves both hideously violent economies of scale and sad, sad end users who volunteer to be taken advantage of. What makes the McRib different from this everyday horror is that a) McDonald’s is huge to the point that it’s more useful to think of it as a company trading in commodities than it is to think of it as a chain of restaurants b) it is made of pork, which makes it a unique product in the QSR world and c) it is only available sometimes, but refuses to go away entirely.
