Blade Runner 2049 is one of the most visually arresting films I’ve ever seen. Director Dennis Villeneuve and cinematographer Roger Deakins have created a film that is chock full of spectacular shots and breathtaking tableaus.
But for all that the film does to try to explore the nature of man’s relationship to technology, I was still left cold at the end. I didn’t leave the movie with chills (as I did when I saw the original Blade Runner earlier this week), nor with exuberant joy (as I did when I watched a blockbuster like, say, Spider-Man: Homecoming). I wanted to love it…but I didn’t. I try to grapple with my feelings about in this Periscope broadcast.
As I reflected more about the movie this morning, I wanted to quickly jot down some of my issues with the film. MASSIVE SPOILERS FOR THE FILM FOLLOW:
- Freysa: I don’t think it’s a good sign when your film only gives a proper introduction to a seemingly major character when you are 2 hours and 20 minutes into a 2 hour and 45 minute long film. It reeks of either attempted serialization (i.e. crazy stuff we might see in the NEXT Blade Runner that will probably never come), or just plain bad storytelling. On that note…
- Skins vs. Humans: At the end of the film, Freysa makes a big pitch to Joe: Come join our robot uprising. My response to this: Who gives a crap? The movie has done virtually nothing to establish the conflict between replicants and humans. While Blade Runners still exist and retire replicants with some regularity (memorably so in the opening scene of the film), we see virtually zero indication in populated areas that the human/replicant relationship is fraught with tension (exception: Other cops hate on Ryan Gosling’s character at the beginning of the film, and he has graffiti are on his door). How many replicants are even left? Do all humans hate them? Are there any replicant sympathizers? What level of danger does an uprising hold? None of these parameters are established in the film. As a result, I just couldn’t find it in myself to care about the stakes.
- The very last shot: One of the things that makes the original Blade Runner so effective is the fact that we are on Deckard’s journey with him. We see virtually everything from his perspective. That’s why I think the last shot of that film is so great: Deckard has come full circle and realized some truth about his situation. Blade Runner 2049 tries to shift that focus onto Ryan Gosling’s character, Joe. And while the shot of him dying on the steps as snow falls on him is gorgeous, the last shot of Deckard and his child kind of left me in a weird place. Deckard himself doesn’t even appear until 2/3rds of the way through this film, but when he does show up, his journey seemingly supplants that of Joe. While I think many will love that last shot, I just didn’t like how it didn’t match the emotional arc of the majority of the film.
I know some people love this movie (see: Matt Singer’s review). I think it’s awesome that the writer/director tried to take the story in totally different directions than the first film. That said, a day later, I still don’t think I connected with it as well as I wanted to and I’m still trying to figure out why.