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Ten years later, how well has ‘I Now Pronounce You Chuck and Larry’ aged?

Kyle Turner has written a reflection of the Adam Sandler and Kevin James film, I Now Pronounce You Chuck & Larry, assessing how well it has aged 10 years after its initial release:

Yes, it’s a big deal when a piece of culture that’s queer-focused does its job and perhaps—and with Chuck & Larry, that’s a big “perhaps”—makes people less hateful. But this film was released well after the advent of widespread internet access, making it all the more inexcusable. It’s not that Chuck & Larry has aged so poorly because of its crude humor, or because our society is less tolerant of work that’s offensive to marginalized communities, but precisely because the meek efforts Chuck & Larry make in the name of “tolerance” now seem so transparent and one-dimensional. The idea that Adam Sandler even continues to have a career is insulting (and he, in turn, continues to insult). One shudders to think of the world that would have resulted had Sandler’s vision of LGBTQ “progress” come to fruition; one in which queer people are merely tolerated, and one in which our sexuality is sidelined in that way—just as it was by Don’t Ask, Don’t Tell or years of dehumanizing arguments made against the right of same-sex couples to marry. If anything, this film serves to remind us that it’s been ten long years of gains won and our right to exist in public brutally fought for. No thanks to Chuck, Larry, Sandler, James or the Hollywood industrial complex that continues to prop them up.

So far, there are two works released in 2017 that I think will age particularly poorly: Dave Chappelle’s newest comedy special, which has some transphobic jokes in it, and Split, which furthers negative stigma against Dissociative Identity Disorder. My guess is in a decade, folks will look back on those aspects of those works and wonder how we ever thought that way.