in entertainment, Uncategorized

The Whole Bloody Affair

Mr. Beaks at AICN reviews Kill Bill: The Whole Bloody Affair, which recently screened at the New Beverly:

Shorn of commerce-conceding baggage, turns out KILL BILL is a masterpiece after all. KILL BILL: THE WHOLE BLOODY AFFAIR is not be the value-added orgy of cinema it was rumored to be; it is instead the definitive cut of the film, the one Miramax would’ve released had there been $120 million worth of admissions out there for a four-hour-plus paean to martial arts and motherhood. This is not a surprise: Tarantino screened this cut for critics at Cannes in 2004, and would later show it at the Alamo Drafthouse and the American Cinematheque. It’s a known quantity. Those pining for an extended anime sequence or a House of Blue Leaves showdown with grislier deaths will have to settle for the latter finally unfolding sans MPAA-friendly switch to black-and-white. Perhaps there will be gore-soaked outtakes whenever this cut makes its way to Blu-ray (don’t ask when, ‘cuz no one seems to know at the moment). Considering how Tarantino typically holds back deleted scenes (e.g. the missing Maggie Cheung footage from INGLOURIOUS BASTERDS), I wouldn’t count on it. And, really, who needs to see it?

The whole thing sounds incredible, and I hope I get a chance to check it out some day….