in amazing, entertainment, Uncategorized

How Realistic is ‘The King’s Speech’?

Nathan Heller has written one of the most powerful, moving pieces of 2011 (already!) by describing The King’s Speech through the eyes of a stutterer:

Stuttering, in my mind, is a word that conjures beiges and grays: the feeling of always being lusterless and square in conversation; of woozy headaches brought about by gasping through my sentences; of childhood boredom in stuffy, cork-tiled offices where speech therapists told me to slow down and read long lists of words aloud. Somehow, I never wanted to slow down, and still don’t; and in this respect stuttering also signifies a bargain I have spent adult life trying not to make. The disorder is not what might be called “a given” from birth for me, though it’s been a looming specter for as long as my memory reaches. I started speaking in sentences shortly before turning 1. At 3, those sentences first met with some resistance on my tongue, the way a car moves off asphalt, onto dirt—and then, finally, across rocks that jolt the tires and make it hard to track where you are headed. Today, I am still being jolted, and the jagged terrain behind bears the track marks of my own innumerable small humiliations. In the seventh grade: A substitute asks the class to read out loud, and when I stumble over my first sentence, she inquires of the other students whether I’m “OK” and “always like this,” and while I continue fighting with a pr sound, my ears tune in to every judging shudder in the room—the creaking chairs, the restless exhalations, the uncomfortable shifting, in the desk beside me, of a girl with many colored pens who seems to me in some way very beautiful. In high school: A medical assistant taking down my charts asks whether I just have a problem with my speech or whether there is mental retardation, too. (“As far as I’m aware …” my answer begins.) In college: I slow down several seminars trundling through fragile language meant for clever tongues. And so on. In each case, what I feel most impelled to explain to the people who can hear me is just: This is not my voice.