Reed Morano’s The Rhythm Section poses a genre scenario with an interesting twist: what if an assassin was terrible at her job? Like, truly epically bad?
I discuss the net effect of this in the above video review, featuring Melissa Tamminga.
Reed Morano’s The Rhythm Section poses a genre scenario with an interesting twist: what if an assassin was terrible at her job? Like, truly epically bad?
I discuss the net effect of this in the above video review, featuring Melissa Tamminga.